Living Caja Ludica; Raising the Unheard Voice of Guatemala

dc.rights.license	CC-BY-NC-ND
dc.contributor.advisor	Erven, E. Van
dc.contributor.author	Offereins, J.
dc.date.accessioned	2014-10-22T17:00:56Z
dc.date.available	2014-10-22T17:00:56Z
dc.date.issued	2014
dc.identifier.uri	https://studenttheses.uu.nl/handle/20.500.12932/18687
dc.description.abstract	Caja Ludica is a theatre collective in Guatemala-City working with marginalized youngsters from bad neighborhoods and rural areas. This thesis describes the practice of this organization and places it in the wider context of Latin american postcolonial thinking as well as theory on theatre from this continent. The third chapter explains postcolonialism in Latin America relevant for Caja Ludica, this includes also Mayan Cosmovision. The third chapter is dedicated to the practice of popular theatre in Latin America, most notably in the work of Augusto Boal and Enrique Buenaventura. Chapter Five describes the practice of Caja Ludica.
dc.description.sponsorship	Utrecht University
dc.format.extent	4264671
dc.format.mimetype	application/pdf
dc.language.iso	en
dc.title	Living Caja Ludica; Raising the Unheard Voice of Guatemala
dc.type.content	Bachelor Thesis
dc.rights.accessrights	Open Access
dc.subject.keywords	Guatemala, Community Art, Augusto Boal, Enrique Buenaventura, Postcolonialism, Maya,
dc.subject.courseuu	Taal- en cultuurstudies