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dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorHurley, James
dc.contributor.advisorKessler, Frank
dc.contributor.authorKooy, J.T.
dc.date.accessioned2014-09-25T17:00:24Z
dc.date.available2014-09-25T17:00:24Z
dc.date.issued2014
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/18457
dc.description.abstractThis thesis provides an analysis of the debate on what it means to experience film and how this relates to changes undergone by the medium itself due to the introduction of digital technologies in the field of cinema. Initially the debate is introduced and analyzed, which will form the offset for a set of arguments that will elaborate how and why the debate itself seems to be lagging behind the developments in the actual industry. By including new media theory in the film theory debate whenever digital technologies and cinema are both involved, I will argue, a more accurate and more deliberate argument can be construed. In the end I will provide some pointers in regard to possible next steps film theory could undertake in order to provide for legitimate analyses of film-related phenomena.
dc.description.sponsorshipUtrecht University
dc.format.extent186642
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.titleDigitalization of the Cinematic Experience
dc.type.contentMaster Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsfilm, cinema, experience, digitization, digitalization, new media, theory, filmic, debate, dispositif, landscape, attentiveness, performance, Rodowick, Cavell, Bellour, Casetti, Voss, Sobchak, change, changing, cinematography, cinematographic, narrative, digital, Bazin, computer, community, illusion, embodiment
dc.subject.courseuuFilm- en Televisiewetenschap


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