dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | Pascoe, D. | |
dc.contributor.author | Buys, G. | |
dc.date.accessioned | 2014-09-23T17:00:57Z | |
dc.date.available | 2014-09-23T17:00:57Z | |
dc.date.issued | 2014 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/18420 | |
dc.description.abstract | Scholars and journalists often associate the Rambo franchise with neo-conservatism, even though Sylvester Stallone, the main writer and star in the films, calls the character of Rambo “politically agnostic.” This dissertation explores the possible connection between Rambo and neo-conservatism, as defined by Francis Fukuyama. | |
dc.description.sponsorship | Utrecht University | |
dc.format.extent | 1956405 | |
dc.format.mimetype | application/pdf | |
dc.language.iso | en_US | |
dc.title | Politics of Sly: Neo-conservative ideology in the cinematic Rambo trilogy: 1982-1988 | |
dc.type.content | Master Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.keywords | Francis Fukuyama, Rambo, Framing, Neo-Conservatism, Neo-Conservative, Film, | |
dc.subject.courseuu | American Studies | |