dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | Verheul, J. | |
dc.contributor.author | Jong, W. de | |
dc.date.accessioned | 2014-09-19T17:00:54Z | |
dc.date.available | 2014-09-19T17:00:54Z | |
dc.date.issued | 2014 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/18396 | |
dc.description.sponsorship | Utrecht University | |
dc.format.extent | 159413 | |
dc.format.mimetype | application/zip | |
dc.language.iso | en_US | |
dc.title | Adoration on Stage, Assimilation at Home
Buffalo Bill’s show Indians, Reformers, and Manifest Destiny during the Late Nineteenth Century. | |
dc.type.content | Master Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.keywords | Buffalo Bill, Show Indian, Manifest Destiny, Indian Reformers, Reformers, Indian Policy. | |
dc.subject.courseuu | American Studies | |