dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | Kaiser, B.M. | |
dc.contributor.advisor | Stralen, J.J.M. van | |
dc.contributor.author | Mulder, S. | |
dc.date.accessioned | 2012-08-09T17:01:27Z | |
dc.date.available | 2012-08-09 | |
dc.date.available | 2012-08-09T17:01:27Z | |
dc.date.issued | 2012 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/18111 | |
dc.description.abstract | An exploration of the red line between traditional realism and contemporary realism, based on a comparison between George Eliot's Middlemarch and Jonathan Franzen's The Corrections & Freedom. | |
dc.description.sponsorship | Utrecht University | |
dc.format.extent | 9400234 bytes | |
dc.format.mimetype | application/pdf | |
dc.language.iso | en | |
dc.title | The Striking Sustainability of Literary Realism | |
dc.type.content | Master Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.keywords | Literary realism | |
dc.subject.keywords | Jonathan Franzen | |
dc.subject.keywords | The Corrections | |
dc.subject.keywords | Freedom | |
dc.subject.keywords | George Eliot | |
dc.subject.keywords | Middlemarch | |
dc.subject.keywords | Hysterical realism | |
dc.subject.keywords | Crackpot realism | |
dc.subject.keywords | Condition of England Debate | |
dc.subject.keywords | Industrial Revolution | |
dc.subject.courseuu | Literatuur en cultuurkritiek | |