Their Eyes Were Watching God: Black Feminism and White Ideals

dc.rights.license	CC-BY-NC-ND
dc.contributor.advisor	Rubin, D.
dc.contributor.author	Rees, H.F. van
dc.date.accessioned	2014-02-19T18:00:34Z
dc.date.available	2014-02-19T18:00:34Z
dc.date.issued	2014
dc.identifier.uri	https://studenttheses.uu.nl/handle/20.500.12932/16157
dc.description.abstract	Focuses on Zora Neale Hurston's novel Their Eyes Were Watching God, which is widely regarded as a feminist novel, as the character of Janie regains her independence after being oppressed by men. This paper will argue, however, that the novel cannot solely be regarded as a feminist novel as there are aspects that conflict with feminist theory.
dc.description.sponsorship	Utrecht University
dc.format.extent	326927
dc.format.mimetype	application/pdf
dc.language.iso	en_US
dc.title	Their Eyes Were Watching God: Black Feminism and White Ideals
dc.type.content	Bachelor Thesis
dc.rights.accessrights	Open Access
dc.subject.keywords	Zora Neale Hurston, Black feminism, feminism, Harlem Renaissance, Their Eyes Were Watching God, Janie Crawford, gender roles, feminist role model, feminist theory
dc.subject.courseuu	Engelse taal en cultuur