Representation of the Mother-Daughter Relationship in Post-Soviet Women’s Cinema

dc.rights.license	CC-BY-NC-ND
dc.contributor.advisor	Álvarez López, E.
dc.contributor.author	Iaremenko, K.
dc.date.accessioned	2012-08-16T17:01:25Z
dc.date.available	2012-08-16
dc.date.available	2012-08-16T17:01:25Z
dc.date.issued	2012
dc.identifier.uri	https://studenttheses.uu.nl/handle/20.500.12932/13389
dc.description.abstract	This MA thesis focuses on the concepts of the mother/daughter dyad in feminist thought and on the representations of mother-daughter relationships in a specific socio-cultural space. The aim is to reveal the aspects of construction and deconstruction of motherhood and the mother-daughter relationship from a female perspective in Post-Soviet cinema. The creative work of post-Soviet movie directors Kira Muratova and Renata Litvinova is taken as an example and object of the analysis.
dc.description.sponsorship	Utrecht University
dc.format.extent	789614 bytes
dc.format.mimetype	application/pdf
dc.language.iso	en
dc.title	Representation of the Mother-Daughter Relationship in Post-Soviet Women’s Cinema
dc.type.content	Master Thesis
dc.rights.accessrights	Open Access
dc.subject.keywords	motherhood, mother/daughter dyad, women’s genealogy, good/bad mother figure, representation, Soviet cinema, post-Soviet women’s cinema, maternal space.
dc.subject.courseuu	GEMMA: Master degree in Women's and Gender studies