dc.rights.license | CC-BY-NC-ND | |
dc.contributor.advisor | Ruberg, W. | |
dc.contributor.author | Ducaat, J. | |
dc.date.accessioned | 2013-07-23T17:01:10Z | |
dc.date.available | 2013-07-23 | |
dc.date.available | 2013-07-23T17:01:10Z | |
dc.date.issued | 2013 | |
dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/13298 | |
dc.description.abstract | This thesis discusses Oscar Wilde's use of the discourse of Art in his effort to not comply with late nineteenth-century thought on homosexual identity. Even though Londoners came to think of Wilde as a homosexual, he refuted these accusations by drawing upon a contradicting and alternative discourse. This thesis thus shows the undeniable force of agency, something that has been underestimated by Michel Foucault. | |
dc.description.sponsorship | Utrecht University | |
dc.format.extent | 659859 bytes | |
dc.format.mimetype | application/pdf | |
dc.language.iso | en | |
dc.title | Art as a defence | |
dc.type.content | Bachelor Thesis | |
dc.rights.accessrights | Open Access | |
dc.subject.keywords | Discourse on homosexuality | |
dc.subject.keywords | Oscar Wilde, Profundis, art, late nineteenth-century, Michel Foucault, history of sexuality, Will to Knowledge | |
dc.subject.courseuu | Geschiedenis | |