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Angels With Bloody Faces: Antichrist en Black Swan als 'Monstrous-Feminine' horrorfilms.

dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorLameris, Bregt
dc.contributor.authorUrai, M.J.
dc.date.accessioned2012-08-15T17:01:13Z
dc.date.available2012-08-15
dc.date.available2012-08-15T17:01:13Z
dc.date.issued2012
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/12867
dc.description.abstractEen analyse van de films Antichrist en Black Swan via de theorie van Barbara Creed over het abjecte en de horrorfilm.
dc.description.sponsorshipUtrecht University
dc.format.extent480922 bytes
dc.format.mimetypeapplication/pdf
dc.language.isonl
dc.titleAngels With Bloody Faces: Antichrist en Black Swan als 'Monstrous-Feminine' horrorfilms.
dc.type.contentBachelor Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordshorror, feminism, feminisme, abjecte, abject, Creed, Kristeva
dc.subject.courseuuTheater-, film- en televisiewetenschap


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