Encuentro Maravillas: Queering the Sensory Experience of Santería

dc.rights.license	CC-BY-NC-ND
dc.contributor.advisor	Zarzycka, Marta
dc.contributor.author	Veltrop, A.G.A.
dc.date.accessioned	2012-09-11T17:00:50Z
dc.date.available	2012-09-11
dc.date.available	2012-09-11T17:00:50Z
dc.date.issued	2012
dc.identifier.uri	https://studenttheses.uu.nl/handle/20.500.12932/11492
dc.description.abstract	This thesis examines three strands: the 1994 Cuban movie Fresa y Chocolate (“Strawberry and Chocolate”), directed by Tomas Gutierrez Alea and Juan Carlos Tabo, based on Senal Paz’ screenplay El lobo, el bosque y el hombre nuevo (“The wolf, the forest and the new man”). The second strand explores the sensory experience of the Afro-Cuban religion Santería and its presence in the movie; and finally, the third strand approaches the position of the queer in Cuban diaspora, which connects to the first two strands.
dc.description.sponsorship	Utrecht University
dc.format.extent	1221674 bytes
dc.format.mimetype	application/pdf
dc.language.iso	en_US
dc.title	Encuentro Maravillas: Queering the Sensory Experience of Santería
dc.type.content	Bachelor Thesis
dc.rights.accessrights	Open Access
dc.subject.keywords	Santería, Ocha, Ifa, Orishas, Cuba, Cuban, Afro-Cuban, Afro-Caribbean, Yoruba, gay, queer, homosexual, diaspora, movie, art, entertainment, culture, masculinities, nationalism, nostalghia, religion, iconography, sensory experience
dc.subject.courseuu	Taal- en cultuurstudies