Women and Gothic. Women and the use of the Gothic from 1798 to the present in England, the United States and the Netherlands.

dc.rights.license	CC-BY-NC-ND
dc.contributor.advisor	Bagchi, Dr. Barnita
dc.contributor.author	Stoelinga, M.A.
dc.date.accessioned	2012-07-31T17:01:01Z
dc.date.available	2012-07-31
dc.date.available	2012-07-31T17:01:01Z
dc.date.issued	2012
dc.identifier.uri	https://studenttheses.uu.nl/handle/20.500.12932/11273
dc.description.abstract	Women in England, the United States and the Netherlands have used the Gothic since 1798 in several ways. This thesis explains that women have used Gothic novels and films to name the unnamed, to explain the marginal and to emancipate women.
dc.description.sponsorship	Utrecht University
dc.format.extent	676248 bytes
dc.format.mimetype	application/pdf
dc.language.iso	en
dc.title	Women and Gothic. Women and the use of the Gothic from 1798 to the present in England, the United States and the Netherlands.
dc.type.content	Master Thesis
dc.rights.accessrights	Open Access
dc.subject.keywords	Women, Gothic, England, United States, Netherlands, first wave, films, Hollywood, novels, Wollstonecraft, Shelley, Austen, Rebecca, What Lies Beneath, The Others, The Lovely Bones, Dermout, Dorrestein
dc.subject.courseuu	Cultuurgeschiedenis