| dc.rights.license | CC-BY-NC-ND | |
| dc.contributor.advisor | van Eijnatten, J. | |
| dc.contributor.author | Wissenburg, I.H.A. | |
| dc.date.accessioned | 2012-07-19T17:01:18Z | |
| dc.date.available | 2012-07-19 | |
| dc.date.available | 2012-07-19T17:01:18Z | |
| dc.date.issued | 2012 | |
| dc.identifier.uri | https://studenttheses.uu.nl/handle/20.500.12932/10908 | |
| dc.description.abstract | In this essay I address the question whether semiotics and aesthetics are as difficult to combine within an analysis of a visual object as is often assumed. I focus on a discipline that, in my opinion, serves as an example of a field that cannot be understood without taking both communication and art into account: the applied art of graphic design and in particular the poster 'Delftsche Slaolie' by Jan Toorop. | |
| dc.description.sponsorship | Utrecht University | |
| dc.format.extent | 1408000 bytes | |
| dc.format.mimetype | application/msword | |
| dc.language.iso | en_US | |
| dc.title | Aesthetic communication
On the possibility of combining semiotics and aesthetics:
analysis of ‘Delftsche Slaolie’ by Jan Toorop | |
| dc.type.content | Bachelor Thesis | |
| dc.rights.accessrights | Open Access | |
| dc.subject.keywords | visual studies, visual culture, cultural history, aesthetics, semiotics, Jan Toorop, graphic design | |
| dc.subject.courseuu | Geschiedenis | |
