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dc.rights.licenseCC-BY-NC-ND
dc.contributor.advisorWiering, F.
dc.contributor.advisorHaas, W.B. de
dc.contributor.advisorVolk, A.
dc.contributor.advisorVeltkamp, R.C.
dc.contributor.authorWit, J.M.S. de
dc.date.accessioned2012-06-21T17:01:29Z
dc.date.available2012-06-21
dc.date.available2012-06-21T17:01:29Z
dc.date.issued2012
dc.identifier.urihttps://studenttheses.uu.nl/handle/20.500.12932/10565
dc.description.abstractNon-negative matrix factorization (NMF) is a model-based technique, where a model is built up to reconstruct a musical piece. This model is generated by linearly combining a limited set of known note structures at each point in time. This technique can help us to achieve automatic transcription, where note information is extracted from a musical recording. For example, if a C and D note are played in the original musical piece, we hope that the matrix factorization process uses the structure of a C and D note to reconstruct this part of the musical piece. If this is indeed the case, because we know that these structures belong to certain notes, we can tell which notes were played in the musical piece - a process known as automatic transcription. In this project, we examine the performance of NMF for the tasks of estimating the frequencies that are active in a musical piece, which is closely related to the pitch values of notes that are played. We ?nd that it is trivial for several NMF variations to obtain high recall, where correct notes are detected and returned. This result does however come at the cost of some noise in the returned values, therefore we consider several postprocessing steps to reduce the number of incorrect frequencies that are returned. We ?nd that this task is complex and deserves more attention in future research. The same NMF technique was also applied to the task of instrument recognition, where we attempt to derive the instrument that was used to play a recorded note. Algorithms designed for this task are still challenged by recordings of musical pieces where several instruments and notes are sounding at the same time. We believe that NMF may be able to extract notes from such a recording that are of high enough quality to be able to derive the instrument from these extracted notes. Results in our experiments were inconclusive but promising. Combining the results of music information retrieval tasks such as those we have discussed above, and involving more temporal information by thinking in notes instead of individual timesteps, should lead to improved overall performance for all of the tasks that are involved.
dc.description.sponsorshipUtrecht University
dc.format.extent1154391 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.titleMultiple fundamental frequency estimation and instrument recognition using non-negative matrix factorization
dc.type.contentMaster Thesis
dc.rights.accessrightsOpen Access
dc.subject.keywordsMusic Information Retrieval, Non-negative Matrix Factorization, instrument recognition, pitch estimation, frequency estimation, fundamental frequency estimation
dc.subject.courseuuGame and Media Technology


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